Lyrics Depot is your source of lyrics to An Attempt To Tip The Scales by Bright Eyes. Please check back for more Bright Eyes lyrics.
An Attempt To Tip The Scales Lyrics
Artist: Bright Eyes
Album: Fevers And Mirrors
Did you expect it all to stop
At the wave of your hand?
Like the sunâ‚¬â„¢s just gonna drop,
If itâ‚¬â„¢s night, you demand.
Well, in the dark weâ‚¬â„¢re just air,
So the house might dissolve.
Once weâ‚¬â„¢re gone, whoâ‚¬â„¢s gonna care
If we were ever here at all?
Well, summerâ‚¬â„¢s gonna come.
Itâ‚¬â„¢s gonna cloud our eyes again.
No need to focus when thereâ‚¬â„¢s
Nothing left worth seeing.
So we trade for liquor for blood,
In an attempt to tip the scales.
I think you lost what you loved
In that mess of details.
They seemed to important at the timeâ‚¬"
Now you canâ‚¬â„¢t even recall
Any names, faces, or lines;
Itâ‚¬â„¢s more the feeling of it all.
Well, winterâ‚¬â„¢s gonna end,
Iâ‚¬â„¢m gonna clean these veins again.
So close to dying that I finally can start living.
Interviewer: Hi, weâ‚¬â„¢re back. This is Radio ---X. Weâ‚¬â„¢re here with Conor Oberst of the band Bright Eyes. How are you doing, Conor?
Conor: Fine, thanks. Just a little wet.
Interviewer: Oh, itâ‚¬â„¢s still coming down out there.
Conor: Yeah, I sorta had to run from the car.
Interviewer: Well, we are glad you made it. Now, your new album, Fevers and Mirrors, tell us a little bit about the title. Iâ‚¬â„¢ve noticed there is a good deal of repeated imagery in the lyricsâ‚¬"fevers, mirrors, scales, clocks. Could you discuss some of this?
Conor: Sure, letâ‚¬â„¢s see. The fever isâ‚¬"
Interviewer: First, first, let me say that this is a brilliant record, man. Weâ‚¬â„¢re really into it here at the station. We get a lot of calls. Itâ‚¬â„¢s really good stuff.
Conor: Thanks. Thanks a lot.
Interviewer: So, talk a little bit about some of the symbolism.
Conor: The fever?
Conor: Well, the fever is basically whatever ails you or oppresses you. It can be anything. In my case itâ‚¬â„¢s my neurosis, my depressionâ‚¬"but I donâ‚¬â„¢t want to be limited to that. Itâ‚¬â„¢s certainly different for different people. Itâ‚¬â„¢s whatever keeps you up at night.
Interviewer: I see.
Conor: And theâ‚¬"and the mirror is, as you might have guessed, self examination or reflection in whatever form. This could be vanity or self-loathing. I know Iâ‚¬â„¢m guilty of both.
Interviewer: Thatâ‚¬â„¢s interesting. Uh, how â‚¬Ëœbout the scale?
Conor: The scale is essentially our attempt to solve our problems quantitatively, through logic or rationalization. In my opinion, itâ‚¬â„¢s often fruitless, but alwaysâ‚¬"ah, not alwaysâ‚¬"And the clocks and calendars, itâ‚¬â„¢s just time, our little measurements. Itâ‚¬â„¢s always chasing after us.
Interviewer: It is, it is. Uh, how â‚¬Ëœbout this Arienette? How does she fit into all of this?
Conor: I prefer not to talk about it, in case sheâ‚¬â„¢s listening.
Interviewer: Oh, Iâ‚¬â„¢m sorry, I didnâ‚¬â„¢t realize sheâ‚¬â„¢s a real person.
Conor: Sheâ‚¬â„¢s not. I made her up.
Interviewer: Oh, so sheâ‚¬â„¢s not real.
Conor: Just as real as you or I.
Interviewer: I donâ‚¬â„¢t think I understand.
Conor: Neither do I, but after I grow upâ‚¬"I will, I meanâ‚¬"a lotâ‚¬"a lot of things are really unclear for me right now.
Interviewer: Thatâ‚¬â„¢s interesting. Now, you mentioned your depression.
Conor: No I didnâ‚¬â„¢t.
Interviewer: Youâ‚¬â„¢re from Nebraska, right?
Conor: Yeah, so.
Interviewer: Now let me know if Iâ‚¬â„¢m getting too personal, but it seems to me that thereâ‚¬â„¢s a pretty dark past back there somewhere. What was it like for you growing up?
Conor: Dark. Not really. Actually, I had a great childhood. My parents were wonderful, I went to Catholic school. They had money. It was allâ‚¬easy. But basically, I had everything I wanted.
Interviewer: Really. So some of the references like babies in bathtubs are not biographical?
Conor: Well, I did have a brother that died in a bathtub. Drowned. Actually, I had five brothers that died that way.
Conor: No, Iâ‚¬â„¢m serious. My mother drowned one every year for five consecutive years. They were all named Patrick, so they all got one song. Itâ‚¬â„¢s kind of like walking out a door and discovering itâ‚¬â„¢s a window.
Interviewer: But your music is certainly very personal.
Conor: Of course. I put a lot of myself into what I do. But itâ‚¬â„¢s like, being an author, you have to free yourself to use symbolism and allegory to reach your goal. And a part of that is compassion, empathy for other people, and understanding their situations. So much of what I sing about comes from other peopleâ‚¬â„¢s experiences as well as my own. It shouldnâ‚¬â„¢t matter. The message is intended to be universal.
Interviewer: I see what you mean.
Conor: Can you make that sound stop please?
Interviewer: Yes. And your goal?
Conor: I donâ‚¬â„¢t know. Uh, create feelings, I guess. A songâ‚¬it never ends up the way you plan it.
Interviewer: Thatâ‚¬â„¢s funny you would say that. Do you think thatâ‚¬"
Conor: Do you ever hear things that arenâ‚¬â„¢t really there?
Interviewer: Iâ‚¬â„¢m sorry, what?
Conor: Nevermind. How long have you worked at this station?
Interviewer: Oh, just a few minutes. Now, you mentioned empathy for others. Would you say that that is what motivates you to make the music you make?
Conor: No, not really. Itâ‚¬â„¢s really just a need for sympathy. I want people to feel sorry for me. I like to feel the burn of the audienceâ‚¬â„¢s eyes on me when Iâ‚¬â„¢m whispering all my darkest secrets into the microphone.
(From the side, two teenage thugs start swearing about the music, talking over the conversation.)
Conor: When I was a kid I used to carry around this safety pin everywhere I went in my pocket and when people werenâ‚¬â„¢t paying enough attention to me Iâ‚¬â„¢d dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess I kind of liked that.
Interviewer: Reallyâ‚¬youâ‚¬â„¢re telling me youâ‚¬â„¢re doing all this for attention?
Conor: No, I hate it when people look at me. I get nauseas. In fact, I could care less what people think about me. Do you feel alright? Do you wanna dance?
Interviewer: No, Iâ‚¬â„¢m feeling sick.
Conor: I really just want to be warm yellow light that pours over everyone I love.
Interviewer: So, uh, youâ‚¬â„¢re going to play something for us now. Is this a new song?
Conor: Yeah, but I havenâ‚¬â„¢t written it yet. Itâ‚¬â„¢s one Iâ‚¬â„¢ve been meaning to write, called, â‚¬Å“A Song to Pass the Time.â‚¬?
Interviewer: Oh, thatâ‚¬â„¢s a nice title.
Conor: You should write your own scripts.
Interviewer: Yeah, I know.
(Conor says from the side, â‚¬Å“I kept singing todayâ‚¬"It would be eeeeeeasyâ‚¬â‚¬?)
Bright Eyes Lyrics
Bright Eyes Fevers And Mirrors Lyrics
More Bright Eyes Music Lyrics:
Bright Eyes - Bowl Of Oranges Lyrics
Bright Eyes - From A Balance Beam Lyrics
Bright Eyes - Go Find Yourself A Dry Place Lyrics
Bright Eyes - It's Cool, We Can Still Be Friends Lyrics
Bright Eyes - Saturday As Usual Lyrics
Bright Eyes - The Vanishing Act Lyrics
Bright Eyes - Theme From Pinata Lyrics
Bright Eyes - Waste Of Paint Lyrics